The dance reveals the emotional state of Lady Yu and her determination in trying to encourage the King to fight on and not give in to a sense of defeat. It features the final dance scene in the drama where Lady Yu is trying with her dance and lyrics to comfort the King, who had been lured into an ambush and is now surrounded by enemy troops. The play was created for Mei Lanfang and first performed by him in 1921. ![]() One of the films that captured this style of dance was the 1955 motion picture of the drama “Hegemon King Bids Farewell to His Concubine” (Bawang bieji 霸王別姬) featuring Mei Lanfang as Lady Yu. Solo dance without singing, furthermore, marked a new aesthetic beginning for traditional Chinese theater. ![]() Dance entering Peking opera in the 1910s -1920s was revolutionary.
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